GRK339. Lyric Poetry
Spring 2009
Prof. Wareh


Stay in touch!

   email: wareht, phone: 388-6743
   S09 office hours: M 1-2, Th 3:45-4:45, and by appt. (36 Union Ave, #205)

I am usually in my office on MWF afternoons and TuTh 3:45-4:45, so please drop by anytime! You can also email me to make an appointment, which can usually be arranged on short notice. Do come by or email me as often as you like to ask questions about the readings or to run your ideas by me!


Course Goals and Requirements

Goals

  1. to read extensively and carefully in Greek lyric, iambic, and elegiac poetry (in the original, with enough reading in translation so that we are working with a broader and more complete perspective)
  2. to analyze closely the significance of our texts: their literary qualities, their musical and metrical form, their historical and cultural context, their religious and intellectual attitudes, the poetic traditions and possibilities they represent, their performance and place in Greek life
  3. to understand the poetic evidence for the contradictions and conflicts in the politics and societies of the early polis
  4. to deepen and sharpen our knowledge of the Greek language by
  5. to gain an acquaintance with a variety of scholarly approaches to Archaic and Classical Greek poetry, and to synthesize these in our own discussions
  6. to pursue our own questions about the poetry through discussions, presentations, and writing assignments, with constant recourse to the original Greek texts
  7. to experience the awe and delight that only this material offers, to hold in our gaze and our ears the sounds and images that compelled the attention of the Ancient Greeks

Requirements and Grading

Attempt a grammatical and poetic explanation of everything in each day's assignment before coming to class. Come each day ready to share your understanding of the poetry, and to ask specific questions about what you have not understood, and about the broader and deeper questions raised by the poems!

Final essay 20%
Other writing assignments and weekly quizzes 25%
Daily preparation, participation, presentations 25%
Final exam 30%

Faithful and punctual attendance and completion of all assignments (including careful and timely reading of the assigned texts) are the minimal requirements for passing this course. Any arrangements for absences or missed work must be agreed to in advance and should not be expected without a compelling reason beyond your control.


Schedule of Readings

Intoxication and Destruction: Eros, Wine, Iamboi
M 3/30 Introduction
Carmina popularia, PMG 848
W 4/1 Anacreon 358 (#2 Balme), 395 (#5), 396, 96D
Mulroy: Anacreon
Campbell, pp. ix-xxix
F 4/3 Anacreon 408 (#4), 359, 398, 356b
Archilochus 1 (#1), 2 (#2), 6 (#3), 25 (#4), 18, 22
Bruno Gentili, "Archilochus and the Levels of Reality"
M 4/6Archilochus 7, 60-67a, 71-74 (#5-6), 103-118
Mulroy: Archilochus
W 4/8Quiz
Archilochus, Cologne epode (Campbell appendix)
Mulroy: Hipponax
F 4/10 Ibycus, 286 (#1), 287 (#2)
Anacreon 413
Alcman 59a (#4)
Sappho 130, 47, 2 (#3)
Introduction to the Lesbian dialect
M 4/13Sappho 1 (#7), 16
Mulroy: Sappho
Aeolic verse
Anne Carson, "The Justice of Aphrodite in Sappho fr. 1"
W 4/15Quiz
Sappho 31 (#8), 94 (#5)
Gregory Nagy, "Lyric and Greek Myth"
F 4/17No class. Join in the Parilia celebration at Colgate University!
Alcman 41 (#1), 26 (#2), 89 (#3)
Mulroy: Alcman
The Community Whole and Divided
M 4/20 Alcaeus 6 (#2), 130, 332 (#5), 333, 362
Mulroy: Alcaeus
W 4/22 Solon 1 (#3).1-32
Mulroy: Solon
Robin Osborne, Greece in the Making, 1200-479 BC, pp. 217-225
E.L. Bowie, "Early Greek Elegy, Symposium and Public Festival"
F 4/24 Solon 3
Mulroy: Callinus, Tyrtaeus
Oswyn Murray, "War and the Symposium"
M 4/27 Theognis 183-192, 53-68, 113-114, 77-78, 447-452, 341-350
Mulroy: Theognis
Leslie Kurke, "Archaic Greek Poetry" (Cambridge Companion to Archaic Greece)
W 4/29Quiz
Xenophanes 1, 10, 13
Mulroy: Xenophanes
F 5/1No class. Support your fellow Classicists at the Steinmetz Symposium!
GREEK CATCH-UP
Simonides and his Sister's Son
M 5/4 Simonides 520, 521 (#2), 531, 543 (#7)
Mulroy: Simonides
Anne Carson, "Visibles Invisibles"
W 5/6 Simonides 542
Anne Carson, "How not to read a poem: Unmixing Simonides from Protagoras"
Adam Beresford, "Erasing Simonides" (cf. idem, "Nobody's Perfect")
F 5/8 Bacchylides 3 (#1).1-28
M 5/11Quiz
Bacchylides 3.29-64
W 5/13 Bacchylides 3.65-98
Choice of five articles on epinician poetry.
F 5/15 Bacchylides, frr. 4, 20b
Mulroy: Bacchylides
Pindar Prince of Poets
M 5/18 Pindar, Olympian 11
W 5/20 Presentations on epinician articles and their relation to our material.
In English over the remainder of the term: Pindar, Olympian 2, Pythian 3, 1, 8
F 5/22 Pindar, Olympian 1.1-15
M 5/25 Pindar, Olympian 1.16-34
W 5/27 Quiz
Pindar, Olympian 1.35-53
F 5/29 Pindar, Olympian 1.54-78
M 6/1 Pindar, Olympian 1.79-116
W 6/3 Pindar, fr. 169a
F 6/5 Pindar, Dirges, frr. 129-134, 137
Phrasikleia: IG I3 1261
Orphic gold tablets from graves: 476 Bernabé (IG XIV 638), 490 Bernabé (IG XIV 641, 3)
Final essay
Due Thu., June 4, 3:30 p.m.
Final exam
Mon., June 8, 2:30-4:30 p.m.

Books and Resources

Assigned textbooks

Online References

Large lexicon and morphological identification via Perseus 4.0
(N.B. provides access to Slater's Lexicon to Pindar)
Large lexicon via Harvard (Beta Code)
author abbreviations
Large lexicon via older Perseus (eta=e^, omega=o^):
Smyth §
aoidoi.org 
Research: L'Année philologique, Schaffer catalog, online journals, Greek Song (bibliography)  
complete guide to online Classics resources  

Course Policies

Academic Honor Code. All work submitted for this course must be your own; assume that any idea of another person must always be cited clearly and specifically. (This is just as true of loosely repeated ideas as of quoted ideas. And an "idea" is anything that contributes to the quality of your work: for example, not just literary analysis, but also the selection of which passages are discussed.) You may discuss the readings with your classmates but must not collaborate on any individual written assignment. If you ever have any question about proper citation or the propriety of collaboration, please consult with me. The penalty for using ideas that are not your own, in any assignment, without proper attribution, will be, at least, a failing grade in the course. Violations could also result in expulsion from college or a record of dishonesty that would exclude you from professional school. The Academic Honor Code also requires your refusal to tolerate dishonesty in quizzes and exams (copying, using any aids, or communicating). A full statement of Union's Academic Honor Code may be found in the Student Handbook (see pp. 87-90). See also Union's statement on plagiarism.

Disabilities. It is Union College policy to make accommodations for individuals with disabilities. If you have any disability or special concern, please let me know what your needs are in order that they may be accommodated. All discussions will remain confidential to the extent permissible by law. Students with disabilities needing academic accommodations must also: (1) register with and provide documentation to the Dean of Students Office; (2) bring a letter to the instructor from the Dean of Students Office indicating what academic accommodations you require. This must be done within the first two weeks of the term. For more information about services available to Union College students with disabilities, please contact the Dean of Students Office: Shelly Shinebarger, Director of Student Support Services, Dean of Students Office, shinebas@union.edu, (518) 388-6116.